Giveaway winner!

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The giveaway has ended! Thank you so much to everyone who participated and signal boosted. As I’ve said before, I wasn’t sure Three Keys in the Desert would be read by more than a handful of people, to have a giveaway for people who’ve not only read it but have felt moved to leave a review feels pretty surreal.

Anyway, without any further ado, the winner of the giveaway is Rine Karr! Please make sure to check your email and get back to me about a physical address to send you winnings to 🙂

Three Keys in the Desert: Giveaway!

So, Three Keys in the Desert came out a few months ago, and I figure it’s been long enough to do a fun little giveaway. I’ve been looking for something really cool and personal to use as a prize, since this novella has meant so much to me and in my wildest dreams maybe 5-6 people were going to read it once I put it online.

Instead, the response has been… beyond what I could have imagined. Everyone who’s written posts about this story, who’s recommended it to their friends, who’s taken the time to write a review… thank you. To see so many people read the story and react to it has been amazing.

So, in between working on more short stories and developing my novel idea, I wanted to do something to celebrate.

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So what swag are you offering?

Several things!

  • A key shaped watch on a long chain. You can take it off the chain and keep it in your pocket or on a shelf, or you can wear it as a necklace. It offers a world of unlimited possibilities, really.
  • A personalized postcard from me, from the postcard coloring book Secret Garden. Meaning this will be a postcard I will color in especially for you, and write you a personal message (could be from one of the characters in Three Keys in the Desert – up to you!)
  • A digital copy of “Futuristica: Volume 1”. This is an anthology that has stories by amazing authors like Stephanie Burgis, Megan Chaudhuri, Wole Talabi and many more, including a story by yours truly called “Life and Death in the Frozen City”.

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And what do I have to do for this hoard of treasures?

One or more of these things:

Then just SIGN UP FOR THE GIVEAWAY with your email and the relevant links!

What if my review isn’t 100% positive?

There are no requirements regarding the nature of the review to enter this giveaway. It doesn’t matter what you said, as a reviewer myself I’m not looking to sway you to be positive. Your honest opinion is good enough, whatever it is.

What if I already left a review a while ago?

That totally counts! Link me to it!

Where are you willing to ship the physical prizes?

Anywhere in the world.

Anywhere?

ANYWHERE. Are you doing research in Antarctica? I hope the postcard cheers you up through the long winter.

Any way I can increase my chances?

Sure, you can also sign up for my New Release Mailing List (or confirm that you’ve already signed up with the email you used for the giveaway). That’ll give you an extra point.

When do I get my prizes then?

The giveaway will end on December 9th. I’ll announce the winner a few days later.

Anything else I should know?

Make sure you’re comfortable with giving me a physical mailing address (for the postcard and the watch), and make sure you check your email in the days after the giveaway ends. If I don’t hear back from you within 48 hours I’ll have to pick another winner.

All done? SIGN UP FOR THE GIVEAWAY

Book review: “The Drowning Eyes” by Emily Foster

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It’s been a busy couple of months, friends. Between posting Three Keys in the Desert in June, submitting a thesis draft in July, attending Nine Worlds in August (\o/ STILL TO WRITE A POST ABOUT THAT!) and now going abroad again in a week, it’s been.. a lot. A lot of really great things! But a lot nonetheless.

Which is why I’m especially pleased that I managed to squeeze in reading Emily Foster’s “The Drowning Eyes”, a novella I’d been wanting to get my hands on for a while, and review it for Strange Horizons.

Emily Foster’s debut novella is everything I like about modern fantasy. The world it builds is not a fictional Europe or a fictional North America; instead it’s set in a tropical climate, in the middle of an ocean, with many small islands dependent on the weather for trade and survival. The characters are a seafaring crew who don’t shy away from illegal work, people from the margins whose life philosophy is that money and happiness should be grabbed wherever they happen to be found. The cast is ethnically diverse and most of the action is centered on women, including older women, who occupy positions of authority within the small world a story of this length allows. All of this is refreshing and a pleasure to read and the reason I was excited to pick up the book in the first place.

And yet, as much as I wanted to fall in love with The Drowning Eyes, as much as I liked its setting and magical elements, as much I enjoyed its characters individually, there were a few structural problems that stood in the way of the book having true momentum. It’s not that the story isn’t enjoyable; it’s just that, considering its premise, it comes across as a little underwhelming.

Read the full review at Strange Horizons >>

 

Meet Me at Nine Worlds!

nineworldsgeekfest-630x420I’m going to be in London in a few weeks! \o/

As part of that trip, I’m going to be at London Geekfest, a convention also known as Nine Worlds.

I’ll be doing a talk as well as appearing on a few panels:

 

On August 4th, Friday, at 5pm, I’ll be doing a talk called: Women Write About War.

I’ll be talking about the mainstream tropes of depicting war in science fiction and fantasy, how they’re being subverted in interesting ways in some books I love, and what that tells us about war as a narrative.

This lecture is especially recommended to fans of Karin Lowachee, Naomi Novik and Kameron Hurley! I’ll be talking about their books more in depth.

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On August 5th, Saturday, at 10am I’ll be on a panel called: Non-anglophone fanworks, fans and canon

I’ll be on there with some very interesting people, and we’ll talk about fandoms and fanworks in languages that are not English.

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On August 5th, Saturday, at 3:15pm I’ll be on a panel called: Screenwriting & scripting the fantastical

This panel will be about adapting SF/F to the screen, and I’ll be there to talk about things from the perspective of a media critic who’s also a film school graduate. Also participating at this panel: author Mike Carey, who wrote “The Girl With All the Gifts”, among other things. I’m extra excited to meet him, not gonna lie 😀

On Names and Where They Come From

Hello friends, and welcome to the post that will probably interest you if (1) you’ve read my scifi novella Three Keys in the Desert, or (2) you like reading meta about how writers come up with names for their characters.

If you’re part of group #1, I should tell you this post won’t expand the universe of the novella itself. What it will do is give you more background into who I am as an author and where my creative choices come from. (I’m not always into learning about the behind-the-scenes of the stories I like, so I just thought I’d disclose that up front.)

On the meaning of names

So, because Three Keys in the Desert was the first long work I wrote as an adult (the first draft of it, in 2007, was about 24,000 words) it was not only uncomfortably autobiographical but was also an amalgamation of all the things I loved and had always wanted to put into stories. Especially where names were concerned.

For this reason, a lot of the names I used in the novella meant something to me and had a whole backstory behind them. I made sure the names were always a reflection of the character’s identity, but often they also had personal significance to me, like my own secret little in-joke.

So, now I’m going to share some of those personal meanings, in no particular order.

1. Sol

As a kid I grew up watching the show “Chiquititas”, an Argentinian telenovela for kids. The storyline concerned an orphanage for girls in Argentina where everyone wore uniforms and sang songs every episode. If you’ve read the novella you can already see how the setting of that show is reminiscent of its setting 🙂

Sol was a character on “Chiquititas”, but in the first seasons (which are the ones I remember the most) she wasn’t actually part of the orphanage. She was the youngest girl on the show, maybe 10 years old, and lived in an apartment with a few of the supporting characters. I remember learning as a kid that “sol” was Spanish for “sun”.

Little Sol was truly a ray of sunshine. She smiled the most, she was the youngest and most adorable, and her life wasn’t as tragic as the lives of the orphan girls (at least at first). I knew very early on, when plotting Three Keys in the Desert, that my Sol would be none of those things.

Or rather, that she would be like an echo, or a memory, of that little girl.

 

2. Ebie

Growing up I loved a lot of what I call “old school HBO” shows. Most of them were historical fiction (for example, the amazing “Rome”), they had a huge budget, and they were doing things with historical narratives that I’d never really seen before.

I think the last show of this kind I watched before writing the novella was “Deadwood”. It was about a small 19th century settlement in the U.S. that transforms into a town, and the costs and benefits of civilization.

One of the characters on Deadwood was named E.B. Farnum. He owned a lodging house and over time became the town’s mayor. I doubt he was most people’s favorite character – he was cowardly, greedy, selfish, abusive to his employees, opportunistic. He had no backbone and no principles and not even good looks, or youth, or humor or wit to “redeem” him to the viewers.

Nevertheless, he was on “Deadwood” for as long as it ran, and he got a lot of attention and character development. If “Deadwood” was a show about human nature, then E.B. Farnum was a mirror of the worst parts of us ordinary folk. Arrogant, petty, a coward and often a fool. Nothing about him was attractive or interesting except his inherent humanity.

I remember thinking that of all the characters on “Deadwood” – the stalwart hero, the foul-mouthed brothel owner, the silly journalist, the compassionate doctor – E.B. Farnum was almost impossible to imagine being played by a woman.

I couldn’t find a single example of when a woman was allowed to play this sort of role, and remain on the side of “good”, and have significant character development over the course of multiple seasons. What would a woman playing the most cowardly, most wretched, most petty and mean and arrogant human who was still somehow perfectly average even look like? I couldn’t imagine a TV audience rooting for a woman who was all of these things, the way I was meant to be rooting for E.B. Farnum.

So, Ebie is named after him.

Of course, there’s almost nothing in common between Ebie and E.B. In fact Ebie is probably Farnum’s polar opposite. But when I created Ebie I thought of all her faults, and I thought to myself how far this flawed character was from the profound, “unattractive” flaws of E.B. Farnum, and I named her as a reminder to myself. As an aspiration.

Write more women who are flawed and “unsympathetic” and inherently, deeply, movingly human. Write about the ugliest parts of yourself. Women should be allowed to have their own stories, even when they’re only in it for themselves. Even when they’re not there to take care of anyone. Even when nothing about them is admirable.

 

3. Vrei

Vrei’s name, like a lot of the kids’ names (including “Ebie”) is meant to sound like it was meant to be a real name but didn’t quite get there. I wanted to create a sense for the reader that the kids in Three Keys in the Desert had fundamentally different names than the adults. I wanted them to be less obviously gendered, less obviously derived from a recognizable language.

Vrei was named after the French word “vrai”, which means “truth”. There’s an extra note of appropriateness, I guess, since Vrei spends most of the story looking for the truth about a certain incident.

As far as I’m aware, “vrai” isn’t a given name among French speakers anywhere. So, I wanted Vrei to create a sense of “huh, your name is kind of like a real word, except it isn’t”. It fit with how the system saw the kids in the story – they were almost like real people, but not quite.

 

4. Claudia

If Vrei and Ebie were meant to sound like names that were not-quite-names, I chose Claudia because it was a name that sounded ordinary and “normal” in so many languages. Spanish, Greek, French, Italian, English. I don’t have to change a single letter, and Claudia and is still Claudia. (If you’re wondering, I usually pronounce her name the Spanish way in my head.)

As an immigrant myself, I wanted the “permanence” of Claudia’s name to be an indication of her privilege. If the kids in Three Keys in the Desert have identities that are sort of blurry, as far as the system is concerned, Claudia is someone everyone sees very clearly.

It was also important for me to give her (and the other adults) a name with several syllables, contrary to the names of the children. There’s something very “indulgent” in a name that long. In a way, the kids had to have short names because they were moved so frequently. The shorter the name, the easier it is for new people to pronounce and remember. Which is a dynamic that’s never applied to people like Claudia.

 

5. Bo

The reason I chose this name is probably the simplest one yet. In the early outlines of the novella, Bo’s character was referred to simply as “boy”. He was Sol’s boy, the boy Kim befriends, the boy no one takes seriously. And so eventually I just settled on calling him “Bo”, for short.

The point of his character, in many ways, was that the things that happen to him are completely random. Nothing – from Sol choosing him, to the later events of the novella – is really due to his initiative or actions. In my head, he played a role that girls often play in these sorts of narratives, where they just react to things older and more powerful people do around them and to them. So, he was just “boy”.

 

So, these were some of my personal reasons for naming the characters as I did. I mean, you can tell this story took over a decade to finish because I have paragraphs of things to say about the names alone, haha. Anyway, if by some chance you haven’t read Three Keys in the Desert yet, the ebook is on sale for $0.99 until tomorrow, so now’s probably your best chance to get it for cheap.

If you’d like to get an email next time I publish something (probably in uh… a pretty long time), you can subscribe to my New Release Mailing List.

Thanks for reading, and have a great day.

 

 

Three Keys in the Desert – on sale!

So, a few days ago I finished posting Three Keys in the Desert, my little military SF novella featuring a cast of mostly women. As I’ve said before – I wrote this story over a decade ago, and wasn’t sure it would really find an audience or be interesting enough to be read by anyone.

I’ve been really overwhelmed by the reactions to it, quite honestly. Thank you so much to everyone who bought the book, who read along with the posts, who retweeted or shared my daily updates, who left a review and who tweeted and emailed me to say how much they enjoyed the story.

All of that means more to me than you can ever know. ❤

So, what now, you might ask?

Well, for the next week, the novella will be on sale! Which means if you haven’t gotten it yet, now’s your chance to get the ebook for $0.99! 

Barnes & Noble | Amazon | iTunes | Kobo

After July 7th the price will rise to the princely sum of $2.99.

What if I already bought the book?

Well, first of all, you’re my personal hero. But also, in the coming weeks I’m hoping to do some behind-the-scenes and bonus material type posts, so I hope you’re done reading the full story in time for that!

Anyway, thank you, again, to everyone who’s been part of this adventure so far.

Three Keys in the Desert: the map!

Hello friends!

So, we’re past the middle of June, and past the middle of Thee Keys in the Desert! Yesterday part 20 went live, which means there are only 7 parts left, meaning 7 days and we’re done.

So, I thought today might be a good time to take a break and post some bonus material. A few people have asked me about how the world of the novella is arranged, what districts are next to what, how the space works, etc. To answer all (or at least some) of those questions, I’m happy to share with you this map!

(All credit for making it pretty, instead of an ugly, crooked drawing on a piece of printer paper, goes to the amazing Dana.)

 

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>> click for full size map <<

Here you can see where all the districts are, and their size relative to each other, and where the food happens, and where the Fluff Palace is.

If you have any questions about it I’m always happy to answer!

I hope you’ve been enjoying Three Keys in the Desert, and I promise we’re going back to our regular posting schedule tomorrow.